Intimacy: 8. Gag Order

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Arc 17 min 2 speakers 8 chapters transcribed 1 month ago
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Why is Liza called into an emergency meeting with the producers?

Tom Goodman‑Hill 0:00
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Unknown 0:06
Hei, maistaisko piirteilä? Toi on Jenkki sylit olipastille. Jep! Mut se maistuu ihan vadelma piirteiltä. WOO! Anima maista! Uusi Jenkki Sweet Shake! Kyllä tuli pastille. Anna hymysi loistaa! Aloita harjoittelu kuntokeskus Eliksiassa ja saat kuukauden treenit, liittymismaksun sekä treenirepun veloituksetta. TT auttaa sinut alkuun. Katso kampaneehdot ja liity jäseneksi osoitteessa eliksia.fi. You're about to listen to Intimacy, the latest series of ARC. This episode contains strong language and sexual content. Intimacy. Episode It
Tom Goodman‑Hill 1:07
Right, get your laughing gear round this. Bacon butties today. Uh morning.
Liza (Lena Headey) 1:11
Yeah, um what do you want? Uh cobblick coffee. Two coffees.
Maisie Williams 1:16
Right you are. Oh Liza. Oh morning bunny. Ugh was I had a twat last night. I feel like I might have been. I was just Oh no. No, no, no, no. Oh bunny! Bunny! Oh god! Um sorry, could you just do that? Over over there? I'm so sorry. I just I came to say sorry, Liza. I remember talking to you and then
Liza (Lena Headey) 1:39
Oh
Maisie Williams 1:39
yeah,
Liza (Lena Headey) 1:39
no, you you were a sweet drunk twat. Yeah,
Maisie Williams 1:42
I'm just I'm gonna go lie down. Yeah,
Liza (Lena Headey) 1:44
I hope you feel better. Oh, grab that coffee. Oh what? No.
Unknown 1:51
You have one new message. I appreciate you telling Ruby. But this does not change the fact that you are in debt. I can keep your electric on, Liza, or I can get it turned off. All I need is the financial proposal. Ruby is very happy to live with me.

What accusations do the producers make about the Bunny incident?

Unknown 2:08
Cold dot flat. Or a warm house. Stop making this harder than it has to be. Get your shit together.
Liza (Lena Headey) 2:17
Bloody albatross.
Unknown 2:19
Kate, could you bring Liza to
Tom Goodman‑Hill 2:20
stage three?
Unknown 2:21
Walking night?
Liza (Lena Headey) 2:25
Hey, you hi? Uh yeah, I'm just hot. Let me take this take this sweater off. Um, you hold that coffee. That's better.
Tom Goodman‑Hill 2:43
Liza Me the boys. How are you? Liza.
Liza (Lena Headey) 2:48
Hello, again Pete. Uh nice to meet you.
Tom Goodman‑Hill 2:51
Joe. I run Rough Shores, we're co financing.
Liza (Lena Headey) 2:54
One of the female producers arriving.
Tom Goodman‑Hill 2:57
Uh we're here to make sure what happened with our actress doesn't happen again.
Liza (Lena Headey) 3:01
What happened?
Tom Goodman‑Hill 3:02
Liza, you know what happened. You told her it was a trauma response. She was totally fine. She needed a few minutes, but you whisked her off in a car. Can
Liza (Lena Headey) 3:10
you take your hand off my shoulder? It's off. Ugh, your breath stinks of moonshine.
Tom Goodman‑Hill 3:15
Let's focus on today's work. We don't want a repeat of what happened. That cost us heavily. Have you spoken to them this morning? Bunny isn't feeling great. It's self-inflicted. Uh Kate, bring the actors in for a walkthrough.
Liza (Lena Headey) 3:27
Self-inflicted or were you giving her drink after drink?
Tom Goodman‑Hill 3:30
Feisty today, Liza.
Unknown 3:32
Can we bring Bunny and Alex to set, please?
Tom Goodman‑Hill 3:34
Boys, uh you can take a seat at Video Village. Yeah.
Unknown 3:38
I'm just walking.
Tom Goodman‑Hill 3:40
Well hello. Hi. You are doing such fantastic work. It's looking amazing. Yeah, so for it.
Matthew Broome 3:53
Hi.
Liza (Lena Headey) 3:53
Ah, morning, Alex.
Matthew Broome 3:55
You okay?

How does the team propose handling the fallout with a financial settlement and NDA?

Liza (Lena Headey) 3:57
Why wouldn't I be?
Matthew Broome 3:59
Well, because of the thing.
Liza (Lena Headey) 4:00
The thing?
Matthew Broome 4:02
I haven't stopped thinking about it.
Liza (Lena Headey) 4:03
Well, you should. It's a shit thing to carry around.
Matthew Broome 4:07
Right.
Liza (Lena Headey) 4:08
Just be a decent man, Alex. It's Pretty simple.
Maisie Williams 4:12
Oh just wing it, Gary, please. I don't need a hearse. Well, that's
Tom Goodman‑Hill 4:15
the spirit. And breasts will be seen. Still good, you know?
Maisie Williams 4:18
Yeah,
Liza (Lena Headey) 4:18
we talked about that already.
Tom Goodman‑Hill 4:20
All right, good. Anything else?
Liza (Lena Headey) 4:21
Uh I I just want to acknowledge that running this scene over and over What what what is it now, Liza? Everyone is going to do their job. Well then what do I know? You you go ahead, Gary, knock yourself out.
Matthew Broome 4:31
He's just doing his job, Liza.
Liza (Lena Headey) 4:33
And I'm just doing mine, Alex.
Matthew Broome 4:34
Good, then let's rehearse.
Unknown 4:39
And action.
Maisie Williams 4:42
I want to love you. And I can't.
Matthew Broome 4:46
Don't fret about loving me. There's sure to be a bad nut in a bus.
Unknown 4:52
Hey, uh the man babies are having a good look in the monitors. Um, you're on fire today. I love it. Uh-uh.
Liza (Lena Headey) 4:59
Thanks. Mm-hmm. Charm, Liza. Disarming smile. Hey, gentlemen, um this isn't the place to sit.
What?
Liza (Lena Headey) 5:09
It's a close set. Bonnie's naked. Yeah, what's what's the problem? I'm just asking that they don't sit here. They don't need to watch the monitors.
Tom Goodman‑Hill 5:18
Oh sorry. Oh yes, uh golden rule. You need to be
Liza (Lena Headey) 5:21
off the set.
Tom Goodman‑Hill 5:22
Yeah. Sorry, chaps.

What does Liza learn about Gary’s hidden relationship with Alex?

Tom Goodman‑Hill 5:23
Uh uh uh uh Gary Stone said where everyone is respected. Totally agree. We're not versed in this intimacy language. Apologies, sorry.
Unknown 5:33
Uh uh, why don't I show you guys to Gary's trailer?

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