(Preview) Movie Club | The Mummy (1999)

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Why did the hosts finally decide to review the long‑requested classic The Mummy (1999)?

Trevor Collins 0:01
It's the second Friday of the month, and that means it's time for another movie club preview. And today's episode has been so highly suggested over the years. I can't believe we haven't done it until right now. But of course, it's 1999's The Mummy. We're going all the way back to the 90s to explore this amazing movie that we reference all the time, but also get you mentally prepared for Mummy 4, which is coming next year. If you're new to Movie Club, We break down the plot, we give our analysis of everything going on, we joke around, we have a good time, we cover movies from classic to crap. So here is a free preview of today's episode available exclusively at redwebpod.com.
Alfredo Diaz 0:41
In Egypt. 1290 BC, High Priest Imotep has an affair with Anaxunamun, the mistress of Pharaoh Seti, despite strict rules forbidding other men to touch her. When Seti finds out Imotep and Aksuna Moon murder the monarch, the Pharaoh's bodyguards arrive, and Anaxuna Moon kills herself, intending for Imotep to resurrect her. After Anaxunamun's burial, Emotep breaks into her crypt and steals her corpse.

What is the ancient Egyptian backstory that sets up Imhotep’s curse?

Alfredo Diaz 1:07
flees to Hamonatra, the city of the dead, where they begin the resurrection. They are caught by Seti's guards before the ritual could be completed. As punishment, Emotep's priests are mummified alive, and Emotep himself is forced to endure the curse of Hondai. His tongue is cut out and he is buried alive with a swarm of flesh-eating scarabs. The ritual curses him to become an immortal walking plague if he were ever to be resurrected.
Trevor Collins 1:34
Just don't get that
Unknown 1:37
part, you know what I mean? I guess sometimes I get it. We kill him, we don't like him, he's dead. But if anyone was resurrect him, he's gonna like absolutely wreak havoc. Like that's just why we leaving
Alfredo Diaz 1:49
that part in. I do like the beginning of this though. It it kind of sets up like, ooh, adventure and this grand story, right?

How do the hosts describe the film’s body‑horror and primal fear moments?

Alfredo Diaz 1:56
But also a little scary. Everyone's tongues getting cut out, the priest is getting buried and everything like that. This is terrible.
Trevor Collins 2:02
Terrifying. It says that tone quick and really well, but honestly, like again, some effects are definitely at the turn of the century where they're like, let's use CGI, but only on like gooey amorphous things, because that's all we can really do super well, or toys, right? In Toy Story. But here at the beginning, they're using a layering compositing of different shots, and they have models and the layering at the very beginning, that opening sweep over ancient Egypt. Egypt is so good. I just love that. Yeah,
Christian Young 2:30
so good. I mean yeah, you said the the CG maybe doesn't hold up and maybe it doesn't, but I feel like for 1999, it looks pretty good. It gets bonus points for sure.

Do the 1999 CGI effects still hold up, and how were they created?

Christian Young 2:39
Yeah. But I had the I had the same thought when they're showing the mummification process and you know, you see the people in the background before they even start messing with emotep, but I was like, oh uh God. Like the the shot of emotep when he's wrapped up and they're bandaging his face. I remember I just had the thought I was like, God. Even even as the actor in that scene, I feel like I'd start getting claustrophobic. I can't even imagine being emote up and like having that actually happen to me.
Trevor Collins 3:04
Oh. Yeah. Yeah. It plays on such primal fears. I mean it's it's not overly gruesome, but it is body horror, right?

What makes the mummification and scarab scenes especially unsettling for viewers?

Trevor Collins 3:13
Like it it gets you in all of those
Christian Young 3:14
ways. I think because it's not gruesome, because you're like, oh I can I can imagine being like wrapped up and restrained like that. And that sucks. Mm-hmm.
Trevor Collins 3:23
I also hate bugs and so all of that throughout the movie, it's they get you man. They know. They know what they're doing. Oh yeah, and then the guy being like, Stockin' him dry, that's how I don't want to have my body raisened up. Yeah.
Alfredo Diaz 3:38
Yeah. He is buried under high security, sealed away in a sarcophagus below a statue of the Egyptian god Anubis. Anubis is always such a cool god.

How could Imhotep’s release threaten the world, and what lore do the hosts explore?

Alfredo Diaz 3:47
Yeah. And kept under strict surveillance throughout the ages by the Magi. Descendants of Seti's palace guards. If Immotep were to ever be released, the powers that made him immortal would allow him to unleash a wave of destruction and death upon the earth.

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