Have you been experimenting with your paint colors lately? Do you wonder about different colors and the best way to mix them? Well, you’re in luck! Robert Gamblin and product manager Scott Gellatly are here to answer more of your questions in our special color episode!In this episode of The Savvy Painter podcast, you’ll learn about the pigments used in modern paints, the emotional content of a color, what makes student grade paints “student grade,” the best paints to use for plein air painting, and so much more. You don’t want to miss a minute of this in-depth and fascinating conversation!2:55 - Why modern oil paints have more pigments than older ones5:54 - Gamblin’s guide to color imaging and the emotional content of color and its impact on paint-making9:51 - Are there paints that artists often misuse (aside from whites)?14:36 - How modern pigments differ from mineral pigments19:41 - Comparing Gamblin’s color palette to Rembrandt’s and the intention behind Alizarin Crimson Permanent24:00 - What lake colors and hues are and the hues that Gamblin features28:44 - How student grade paint differs from artist grade paint34:20 - The best way to prevent dead spots/sinking in on your paintings40:12 - Gamblin’s plans for skin tone colors and the concern over representation in the art world for artists of color45:53 - Mixed colors as shortcuts, common mistakes to avoid in your palette, and when to move away from student grade color51:54 - The different characteristics of Gamblin’s black oil colors58:22 - Advice on the minimum amount and best paints to use for plein air painting1:03:34 - Looking at the relationship between pigments when you’re creating a color palette1:07:55 - Scott reveals the “secret weapon” colors he likes to use in his paintings1:10:04 - How Robert produced his beautiful series of large iceberg paintings during his Greenland trip1:14:27 - How to have a good white for glazing and whether some Torrit Grey colors are made by Gamblin in actual color1:16:56 - The difference between transparent earth colors and ochres, umbres, and siennas1:19:15 - Three reasons why cadmium and cobalt colors are so expensive (and three reasons why they’re worth it)1:22:09 - Why Scott uses Transparent Earth Red (specifically one in the FastMatte line) for his underpaintingsMentioned in Unlocking the Secrets of Color: Robert Gamblin and Scott Gellatly Answer Your QuestionsGamblin Artists Colors | Instagram | Twitter Previous Q&A with GamblinBonus Content: Transcripts and Extra Interview with GamblinClaude Monet | Lori Putnam | RacheDo you spend more time thinking about making art than actually making it? Start things you never finish? Make work and then stack it against the wall, facing inward, so you don't have to look at it?If any of that sounds familiar, I'd love to chat.Click here: savvypainter.com/survey to tell me what's going on. If it seems like I need more info, I'll reach out to schedule a call.Thanks so much!Support the showAnd hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcastI’d love to hear this episode resonated you. ❤️

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