Chapter 1: What profession are Bryan and Krissy hiding from their friends?
So when you say suck it, what are you telling somebody? It's just a gesture. I mean, it's not like I'm not saying, get your head down there and suck it. He's not the only one out there. His friends, people you see, you know, you hear them in the stores, everywhere you go. So it's not just him singling out doing it. So we've got a generation of kids yelling suck it. Yeah.
On this episode of The Commercial Break.
The episode called Holding Space, you download it, but you're allowed to not listen to it.
Chapter 2: How is RFK Jr. making good TV?
Right. Okay? It's going to be like a 35-minute show where Chrissy and I are going to be really low-key. I'm going to change the opening music to some frilly corporate bullshit that I find on some music site. And then we're just going to talk lightly for 35 minutes about your inner child. I think it's needed. Yeah. And then we're going to say, oh, listen, it's about friendship.
Take a listen to Holding Space. When people ask me what the podcast is about, I go, it's about friendship.
Chapter 3: What are Bryan's thoughts on Harvey Weinstein's situation?
The next episode of the commercial break starts now.
Welcome back to the commercial break. I'm Brian Green. This is the Sanders to my RFK Jr. Chris and Joey Hoadley. Best to you. Best to you, Brian. Best to you out there in the podcast universe. Sketching a little bit of the RFK Jr. What do they call that?
Chapter 4: Why is the Atlanta movie scene struggling?
Confirmation. Confirmation hearing. Wow. Nothing like your cousin coming out and calling you a predator. Well, there's just a lot to be chewed on when it comes to RFK Jr., but all the Kennedys, I think, are in the same boat. So I don't want to talk politics on the show, but that is one of the more interesting 15 minutes of television I have watched this year. I will say that.
And congratulations to everybody involved in making great TV for the afternoon. It's fantastic. So here we are.
Chapter 5: What celebrity encounters does Bryan share?
Speaking of predators, Harvey Weinstein says he needs to get a trial quick and get the hell out of this hellhole. That's what he said to the judge. I need to get the hell out of this hellhole. Oh, I'm sorry, Harvey. Did we bother you? Did we hurt your little pallywhacker? Oh, poor Harvey. Listen, you're getting all your comeuppance, and I think you deserve that. Absolutely.
If any of the shit that's...
Chapter 6: What fake episode is TCB planning to release?
that is correct about you. It's true. He's got medical problems and all that stuff, but I say keep him in there. Yeah, I don't think he's going anywhere. I mean, I think the judge overturned his first conviction for something or other, but then made him stay in jail while they proceeded with the second trial. It was like a technicality or something. And so he said, no, don't go anywhere.
Stay there. And listen, innocent until proven guilty. But he was proven guilty.
Chapter 7: How does John Anthony Lifestyle relate to TCB's content?
There's some technicality got him out. It got him unguilty. And I think the judge saw through it. So, yeah, Harvey Weinstein, one of the one of the more shitty people. Speaking of like Harvey Weinstein in the movie making business, I've been talking to a lot of friends here in Atlanta. who are not super jazzed about the movie-making scene here in Atlanta right now.
Yeah, well, I was reading something like it's decreased by 40%. Yeah, it's shrunk by 40% or 50% over the last couple of years. I have family that works there. My brother works in the business.
Chapter 8: What is the significance of the 'Inception' theme in this episode?
We have friends that work in the business. And apparently the word on the street is the reason why Atlanta became such a popular place to film over the last two decades was the tax incentives that were signed into law by our state government here, giving essentially a bunch of tax rebates if you came and you filmed here and you hired locally. Yeah.
So for years and years and years, movies could save tens of millions of dollars, you know, percentages off the top by X factor. And they could do that just by filming here in the city. Also, the weather is nice. You know, we don't have some of the drama that you see out in California, you know, the big studios and the big prices that go along with the big studios.
And it costs a million dollars to film on Rodeo Drive because they all understand the value and how much money floats around that movie making system. Well, the same thing has happened here in Atlanta, right? I had a friend that is like a site producer, like someone who goes out and looks for sites. Scout. And he was saying that...
Part of the reason why the Atlanta movie business is getting tougher and tougher is because you used to be able to go to knock on somebody's door and say, hey, I want to film at your house. And they would be like, yeah, sure. They'd be like, well, we'll give you $500 a day.
When the going rate in Los Angeles might be like $10,000 a day, they would say, we'll give you $500 a day and we'll make sure everything's cleaned up when you're done. We'll give you a new roof or we'll paint your walls or whatever. And people would be like, that's great. Fantastic. But now that it's been going on for so long here in the city, it's become very similar in nature.
Yeah, they've jacked the price. Yeah, everybody understands the value of it. And so now they're no longer, we're no longer a bunch of dumb rednecks out here in Atlanta. Now we're Hollywood types. Yeah. Now we know exactly what it costs to rent my house. $10,000 a day. I want craft services and a hand shandy by your on-site masseuse. No ice penis for me. I want it hot.
So the business has really taken a knock here in Atlanta, and there's less filming going on here than has been in the previous five or six years, which is not good for the people who work in the business. I know there's been a lot of money spent, too, with all the – we've built studios here, too. Huge studios. Tyler Perry, huge. Coppola. Just built a huge thing. Coppola.
He built like a hotel and a studio and, you know, yeah, the Tyler Perry Studios and then that guy from Chick-fil-A. Kathy. Kathy. Truett Kathy and his son. They built a huge complex that was bought by the James Bond. What is that? What do they call them? What was the studios? Anyway, James Bond, the company who makes James Bond, the production company, they bought into that big section.
They built whole towns around these huge studios down south of Atlanta. There was a guy that I knew, Ryan Millsap. He built a huge studio here. He took an old Kroger distribution center, like a grocery store distribution center. It was huge. I'm talking like hundreds of acres under roof. And he repurposed it into a studio when Kroger no longer needed the facilities anymore.
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