How many myths and stories and fairy tales take place in... the forest? The forest in these stories is more than just setting or backdrop. It is a character of its own, alive, awake, animate, both treacherous and beautiful. The forest doesn't 'represent' something abstract in the myths, it is exactly what it was for our ancestors — a place of beauty and peril, of life and death, of food and devouring, of danger and wonder. To step into the forest is to step outside of linear, organized time and space into the liminality of trance. In the forest, sounds are different, everything is immediate and up close, and every choice matters. To navigate the forest well — like the protagonists of so many fairy tales show us — is to use discernment, to cultivate sensory wakefulness and a deep respect for protocols of animacy. Animism, therefore, is not simply about acknowledging nature's beauty. It is about cultivating a deep relationality with the varying forces of the forest — some of which are perilous. Traditional forest-dwelling cultures recognized the danger of the forest, while the modern world tends to flatten the forest into something either to be destroyed or to be adored from a distance. But to deeply know the forest also means knowing how to navigate unfriendly forces. It's easy in the modern world to view traditional understandings of malevolent forces as 'primitive,' or 'superstitious.' Yet for cultures who actually navigate the forest and its intricacies, knowing how to navigate these forces means survival. And so — if we value animism, it means not looking at the forces of the forest as an 'illusion', or as something to 'move beyond' but something to be treated with deep discernment and respect. Take a step into the forest, this time on The Emerald. Featuring music from Rising Appalachia, Charlotte Malin, and Nivedita Gunturi. Support the show

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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