The Rep Report is our regular roundup of current retrospectives and film series. This week, we're focusing on an important and fun series at the Brooklyn Academy of Music called Black ’90s: A Turning Point in American Cinema. It's a carefully curated look at major works by black filmmakers in the 1990s, such as the late John Singleton’s Boyz n the Hood, Charles Burnett’s To Sleep With Anger, Kasi Lemmons’s Eve’s Bayou, Leslie Harris’s Just Another Girl on the I.R.T., and Hype Williams’s Belly, as well as lesser known works like Zeinabu Irene Davis’s Compensation and Haile Gerima’s Sankofa, among many others. The programmer of the series, Ashley Clark—who has written for Film Comment about Burnett and Ava Duvernay, among others—joined FC Editor-in-Chief Nicolas Rapold for an in-depth conversation about Black ’90s and the riches on offer throughout the series.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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