Valeska Grisebach’s extremely precise yet highly naturalistic films take years to make: so far, we have been graced with only three features. In the January/February issue of Film Comment, Haden Guest discusses Grisebach’s process of “radical observation,” as well as her relationship to existing genre forms and aesthetics. Western, Grisebach’s latest film, follows a group of German workers building a hydroelectric plant in the backlands of Bulgaria. Separated by linguistic and cultural differences, one of the German workers—Meinhard—slowly begins to bridge the gap between the two camps. FC Digital Producer Violet Lucca is joined by Film Society of Lincoln Center programmers Dennis Lim and Dan Sullivan and Brooklyn Rail film section co-editor Leo Goldsmith to discuss the film, Grisebach’s filmography, and her relationship to new forms of realism.

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