Playing with ropes
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What is the premise of Sarah’s visit to Mistress Tokyo’s dungeon?
This is potentially one of the most bizarre experiences I've had at work. What kind of what kind of knot is that you're doing around my wrists? Де гука
Love and
honey eye.
On Triple J.
Warning. Sex and adult themes. Hey Sarah McVee here and in this podcast I get tied up. like actually tied up. You'll hear from Dominatrix Mistress Tokyo about Japanese rope bondage Shibari and from our producer James on why he likes getting tied up. And to find out more about it, I visited a dungeon. Check this out. So feeling kind of nervous, I've come to a kind of nondescript building in a quiet street in the suburbs of Sydney. And um I'm just about to knock on the door of The dungeon? Mistress Tokyo?
Come in.
Hi, how are you? Hello, how are you doing? Good thanks. Do you want to show me around? Yeah, look I'd love to. Come through. So we're walking into a very dark room. I guess this is the dungeon. There are chains everywhere. Um feeling a little bit intimidated by this room if I'm perfectly honest. And we're surrounded by chains. It's very dark in here.
How does the dungeon’s environment set the mood for rope play?
There's a whole wall of mirrors. There's a lot of chokers. There's a lot of ropes. I guess these are the tools of the trade for a dominatrix.
Yeah, pretty much. Yeah. I mean there's different styles of domination, different styles of dominate tricks, uh and there's obviously different levels of play. Um but for me personally as a pro dom who caters to a lot of heavy bondage sessions and a lot of um sessions that involve like You know, playing the sling. We've got a sling um hanging here. I do a lot of um suspension as in like rope bondage suspension or like leather suspension. Um and a lot of like long-term bondage and things like that. This is like this is the stuff of my of my daily. There's a whole bunch of canes, um, there's bamboo, or there's the other fucking machine, that's topical. Um we've got everything from Um
Like heavy weights. So we're here in the dungeon to talk about I guess a form of submission which is ropes and bondage. What do you like about bondage?
What I like about bondage is uh people's vulnerability to me. I find it really edifying. Um the cr the craft of it I enjoy. I enjoy doing really good sound um, complex, intriguing bondage of all sorts leather, rubber, um suspension or floor work, rope bondage, chain, metal, I mean, you know, mummification, wh whatever you've got. I enjoy all of it. There's the um and there's basically like um uh the surety of the person's submission to you. That's in s in c they can't they can't you know uh they can't leave. They cannot um do anything other than submit to you. And um the thing that I like about rope bondage in particular, um, is the fact that you can take there's you know, you're basically limited only by your imagination and your skills and where you both are at that particular moment in time.
So it really is quite um um edifying in that it brings you um quite into the moment um of um, you know, your then skill level, your level of an ability to perceive the other person's mental and physical and emotional state, your ability to manifest something that you'd like to do. And of course there's a skills based, more academic sort of level of things like, you know, actually having a flow to what you do and having an aesthetic to what you do and having a surety and an expediency. Um as well as um You know, like th th th the things of art. The things of art about it. So I can take like a shank of rope. Which could be which could, you know. Like tie down a trailer for God's sakes and I can create an ecstatic scene that will change your life.
Would you mind showing me some of the ropes you use to tie people up? No problem, I will. Um I use different ropes for different things, um for different scenes. So basically, um in my personal scenes and in my educational experiences, I use some hemp rope and also I also use that in my shows, so I use hemp rope for those purposes. But we are in my dungeon right now, um my professional space. Um so basically um uh when I'm in my professional space I tend to use a polyester rope um and it's um quite it's pretty inglorious rope but um basically um it
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Chapters
8 chapters
1
What is the premise of Sarah’s visit to Mistress Tokyo’s dungeon?
0:00–1:39
2
How does the dungeon’s environment set the mood for rope play?
1:39–5:10
3
What types of rope does Mistress Tokyo use and why?
5:10–10:01
4
Why does Mistress Tokyo prefer rope bondage over other BDSM tools?
10:01–14:26
5
How is a basic double‑column (box) tie performed on a beginner?
14:26–17:46
6
What does Sarah experience while being tied – physical and emotional reactions?
17:46–23:20
7
What safety checks and consent practices are essential for rope bondage?
23:20–24:41
8
How do the hosts wrap up the discussion and invite listeners to get involved?
24:41–25:13