Amy Chapman
speaker
183 appearances
1 recordings
1 series
first heard Apr 2025
last heard Apr 2025
Amy Chapman’s voice in public audio — every appearance, attributed to the second.
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Appearances
Because nothing... To me, personally, I'm going to get so much shit for this. You'll never get hired by them ever.
I'm so sorry. Her people even reached out to me recently, and I'm like, now they'll never. Sorry.
Someone completely else. I'm really shooting myself in the foot. My husband was like, Watch your mouth when you go on the show. I'm like, I can't. Things just come out.
Because I'm just like, I'm so sorry. It's coming and I'm not going to stop it. To me, I'm like, you're great. And like, that's what you are. I'm not thrown back and excited and been like, ooh. When I hear someone like an Amy Winehouse or like, I'm trying to think of like all the different people at the Grammys. And I'm like, oh, that was different. That was art.
I'm really just giving my own.
Darkness, a creativeness. Like I look at Sia and I'm like, ooh, you are an artist. And you're a singer and you're a star. You're all of those things.
Is it because there's like a uniqueness to them? Something. It's different. You see it and you're like, that's art. That is different. You're creating a whole other path for you and that you're portraying that. Right.
Yeah, because then you'll be like, oh, you sound like Sia. Right. You know, like, you have a brand. You have that art.
And every artist is different.
I'm an artist, but not an artist in my singing. I know.
Like, sure, I have a little bit of style when I sing, yes. But I'm not like, ooh, I created my own thing and this is my art and I need to – it's not like that. My art is how I work with people.
So I would – with a singer, I'd mold them. I'd be like, I'm going to tell you what to do. You're going to do this riff. You're going to change your voice this way. Make this sound like this. I will give artists, I will give singers coaching. And artists, I will give support. So I'm not going to tell Sia anything. where to put her voice, and how to do her riff. That's her thing.
But I will tell her the things to optimize what she does. So a lot of people come to me, especially with like nodules or vocal difficulties or something going on with their voice. Since I am a voice therapist, I work and I treat the voice. But I'm not going to change them. Meaning I'm not going to say like, don't sing breathy and husky like that. anymore.
Sing clean and clear, even though that would be better for their voice and be healthier. I'm not going to do that because I'm not going to change you as an artist. And I think that's why a lot of artists like me, because I'm not trying to change them. A lot of other voice therapists, and I'm not saying they're doing anything wrong, everybody has their own style, will be like, that's not healthy.
So sing it a little bit more clear and a little bit more pingy and a I don't want to. I'm an artist. This is my thing. I sing it like this. So how can I do it like this, but healthier? So that's how I would be different with an artist versus a singer.
Yeah. I trained in opera when I was a kid. That's how I started is classically singing. And I was like, this is so much fun. And then I went to a performing arts high school and it was so much fun. And obviously I'm a performer. You can see it in me. I don't stop. And I love it. And then I went to UCLA for musical theater. And there was a certain point I had a master class with Diane Keaton.
And she said, if you can do anything else in this world, do it. And I was like, oh, I can do a lot of things. And that's where I, and I come from a very medical family and they're all healers. My dad's a doctor, my mom's a nurse, my brother-in-law's a doctor, my cousin's a doctor, like everybody's doctors in my family. And I love to heal. I love to teach. I love to heal.
I love to take care of people. And I also love music and voice. And then I put it all together. I was like, I can take that and help that and
be a voice healer and then it turns into coaching because no one wants to be injured no one likes to be injured right so it's all about the coaching and every singer who's a professional singer is like a little bit injured because you're using your voice so much it's just like every football player has a bum knee or a back hurt yeah when you are an athlete of whatever it is
your body takes a toll. You need someone to have support. So then it started going into that. And the way that I just, I work with voice, I hear voice, I feel voice, and I really intuit what people are doing. And it just built my reputation of that, of doing that. So after that, I went to school for speech pathology, got a master's in speech pathology, started working with really injured singers.
Showing 21–40 of 183 · page 2 of 10
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