Andrew McIntosh

Sure. So I think we touched on it a little bit already with that song, right? Which is just the combination of really... scary, tense exploration and combat with some bigger questions and some real questions about identity and the choices that we make and how we sort of think about ourselves and literally, in this case, but figuratively in our cases, construct ourselves.

Sure. So I think we touched on it a little bit already with that song, right? Which is just the combination of really... scary, tense exploration and combat with some bigger questions and some real questions about identity and the choices that we make and how we sort of think about ourselves and literally, in this case, but figuratively in our cases, construct ourselves.

We like to say, you're going to shoot first and ask existential questions later. That's a tongue twister. And that is kind of where... Yeah. It's a tongue twister. But it is kind of what I would hope is the hook. A lot of times when we're working, we're thinking about, what's somebody going to say to me about this? What do I want them to say back to me? What do I... what I come away with.

We like to say, you're going to shoot first and ask existential questions later. That's a tongue twister. And that is kind of where... Yeah. It's a tongue twister. But it is kind of what I would hope is the hook. A lot of times when we're working, we're thinking about, what's somebody going to say to me about this? What do I want them to say back to me? What do I... what I come away with.

We like to say, you're going to shoot first and ask existential questions later. That's a tongue twister. And that is kind of where... Yeah. It's a tongue twister. But it is kind of what I would hope is the hook. A lot of times when we're working, we're thinking about, what's somebody going to say to me about this? What do I want them to say back to me? What do I... what I come away with.

And it's like, wow, like it was so scary. And then I just kept thinking about it. Like, and I kept thinking about the choices that I made and, and how it would have turned out differently.

And it's like, wow, like it was so scary. And then I just kept thinking about it. Like, and I kept thinking about the choices that I made and, and how it would have turned out differently.

And it's like, wow, like it was so scary. And then I just kept thinking about it. Like, and I kept thinking about the choices that I made and, and how it would have turned out differently.

That can be tricky. And I would say that when you're crowdfunding, it's... Anytime somebody's giving you their money for something they want to return, your crowdfunding, their return is they want something fun that they were hoping to get back. And in a publisher relationship, it's a much more kind of... we'd like a profit, please.

That can be tricky. And I would say that when you're crowdfunding, it's... Anytime somebody's giving you their money for something they want to return, your crowdfunding, their return is they want something fun that they were hoping to get back. And in a publisher relationship, it's a much more kind of... we'd like a profit, please.

That can be tricky. And I would say that when you're crowdfunding, it's... Anytime somebody's giving you their money for something they want to return, your crowdfunding, their return is they want something fun that they were hoping to get back. And in a publisher relationship, it's a much more kind of... we'd like a profit, please.

We'd like to give you a certain amount of money and we'd like to get that back. So it's a, it's a little bit different. And like Mike said, you're talking to a lot of different people and they can have like in a crowdfunding situation and they can have deferring things and conflicting things that they want.

We'd like to give you a certain amount of money and we'd like to get that back. So it's a, it's a little bit different. And like Mike said, you're talking to a lot of different people and they can have like in a crowdfunding situation and they can have deferring things and conflicting things that they want.

We'd like to give you a certain amount of money and we'd like to get that back. So it's a, it's a little bit different. And like Mike said, you're talking to a lot of different people and they can have like in a crowdfunding situation and they can have deferring things and conflicting things that they want.

In a publishing situation, you have a smaller set of stakeholders, but they, you know, they, they want fun. They want fun as a sort of on the way to profit. Yeah.

In a publishing situation, you have a smaller set of stakeholders, but they, you know, they, they want fun. They want fun as a sort of on the way to profit. Yeah.

In a publishing situation, you have a smaller set of stakeholders, but they, you know, they, they want fun. They want fun as a sort of on the way to profit. Yeah.

The time that you're devoting to it is... If you're a solo dev and you're working on it by yourself and you haven't taken any publishing money or anything like that, you have as much time, as much that you need and everything. As soon as you start to...

The time that you're devoting to it is... If you're a solo dev and you're working on it by yourself and you haven't taken any publishing money or anything like that, you have as much time, as much that you need and everything. As soon as you start to...

The time that you're devoting to it is... If you're a solo dev and you're working on it by yourself and you haven't taken any publishing money or anything like that, you have as much time, as much that you need and everything. As soon as you start to...