Jeremy Harding

speaker
341 appearances 1 recordings 1 series first heard Jul 2026 last heard 2 Jul

Jeremy Harding’s voice in public audio — every appearance, attributed to the second.

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Recordings per month over the last 12 months — 1 in all, peaking in Jul 2026 with 1.

Appearances

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He started in the darkroom.
Drum was a slightly seditious anti-apartheid magazine that began in the 50s.
Cole was able to kind of achieve the rank of photographer and he was able to dissimulate
He was very, very good at, he was a black South African, very, very good at insinuating his way into places where black people were not supposed to go.
His photos are extraordinarily devastating indictments, indictments, I suppose is the word here, of apartheid.
Goldblatt always said, I had a complex objection to apartheid, but actually when you've both
that didn't mean it wasn't an outright objection it just means that when you've built the whole over together you see in how in how many ways he went about stating his objections and recording and recording his objections to apartheid cole was
I think much edgier and his photos are beautifully blunt.
And he finally got, he got to the point where he had to be run out of South Africa and he got his, he got all his negs and a lot of his work out.
He then got to America and he put together this book called House of Bondage, which was immediately an international bestseller.
And it was banned in South Africa for the very moment that it appeared there.
Well, it couldn't when it appeared in New York.
They just said, yeah, you know, that's out of the question for us.
Here's some, there's one by Cole, one by Goldblatt.
Russell, look up maybe to give you an idea.
The solidarities.
Well, it's partly the difference, I guess, between the sense of a war having ended and a goal having been achieved on the one hand and the struggle that, you know,
is going on and then you get to 1975 and you think yes it's over now and then on the contrary it it it it's fury is redoubled somehow there is um kevin did mention this other person i've whose work i've written a longer essay about called sarah malderall who was actually french black french and who threw in her lot with
the liberation struggles quite early on in the 60s and ended up in Algiers after Algeria won independence from the French.
She cut her teeth as a filmmaker in Algiers.
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