Jia Tolentino
speaker
981 appearances
13 recordings
3 series
first heard Dec 2024
last heard Apr 2025
Jia Tolentino’s voice in public audio — every appearance, attributed to the second.
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Appearances
And by admitting how unhappy she is and has been with them, the girls end up, like, they transcend the sort of Hegelian dialectic that they've been in the entire time, where they're either being honest bitches or fake happy. And they're actually real happy. They're honestly happy with each other because one of them has admitted their profound unhappiness.
They've already said them out loud. It's already been out in the open. Yeah.
And there's, like, a nice, like, it's very sweet when they're kind of cuddled up on the, like, their whole physicality changes. Oh, yeah. Like, they've been all carrying themselves in such particular ways that correspond to the relative sort of self-consciousness and truth-telling versus not of every scene that the girls have.
But they're finally, like, they're collapsed into each other like children. And it's nice. It's nice to see.
Yeah.
And they did get to die together.
Together in eternity, as Chelsea knew. And throughout this episode, like, you know it's going to happen. Like, they have their peace too early. You know the wheel's going to turn again.
Like, the moment they have that, like, truly sweet thing over... breakfast where she's like, I think we're going to be together forever, don't you? And Rick's like, that's the plan. And it's the first time he's ever. And she has this profoundly sweet, like shocked, mutually gratified, like, wow, this is as real as I ever thought it was. And we're going to do this.
We're going to be together forever. And you're like, yes, because Scott Glenn's going to kill both of you. He both is the father and the person that took away the father because he absented himself to take over Thailand or whatever. Right. And he basically reveals this to Walton Goggins in the restaurant, but Walton Goggins doesn't guess it at that moment. One doesn't know for sure. Right.
Now, let's really get into what matters.
Yeah. I mean, and I just really can't underscore enough. Why is Rick there the next morning?
It's like the hugest plot hole, we must say, of like, oh, I tried to kill the guy that owns this hotel, but I'm just going to spend a nice, relaxing night, leisurely breakfast here.
I feel like there's some sort of implicit blame being placed on Amrita here who's like, sorry, I really have to do this therapy session that this kid doesn't even want, you know.
You're presenting an acute mental crisis. You're shaking and sweating and on the brink of tears.
Like she could have been like, Zion, can you wait seven minutes? I just need to talk to this man that's on the brink of murder.
But then Chelsea comes running, you know, she's finished her donut and and she's and he's like, go away. I'm in snake mode.
For me, I was giving OC, Ryan and Marissa. You guys know what I'm talking about?
He's kind of doing this death walk. He's not looking for help. Like, he knows she's dead. Like, that's not—he's staggering as slow as a person could ever walk.
Yeah.
Yeah. And then in the process, like Guy Tuck is having his own test of like, am I going to kill this man? Yeah. And choose the way of violence, and in doing so, get money and the girl, and be unhappy with myself forever, but have sunglasses and a black top, which signifies worldliness, which he does. I know.
Showing 141–160 of 981 · page 8 of 50
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