Jia Tolentino

You thought you were getting out of this. You're really getting it a different way now.

You thought you were getting out of this. You're really getting it a different way now.

This episode, the last episode, XL-sized, is called Amor Fati. It's written and directed by Mike White. And later in this episode, we'll be talking to Natasha Rothwell, who has a real big moment.

This episode, the last episode, XL-sized, is called Amor Fati. It's written and directed by Mike White. And later in this episode, we'll be talking to Natasha Rothwell, who has a real big moment.

what is in store for me.

what is in store for me.

Yeah. Unless you're Chelsea, who accepts that, you know, all we have is the here and now, and she gets fucking murdered by a security guard. Caught in the crossfire. I know. Poor Chelsea. Moog and Kai Talk, they do end up together.

Yeah. Unless you're Chelsea, who accepts that, you know, all we have is the here and now, and she gets fucking murdered by a security guard. Caught in the crossfire. I know. Poor Chelsea. Moog and Kai Talk, they do end up together.

I don't know.

I don't know.

I know. I know. We hate her now.

I know. I know. We hate her now.

Come on. Oh, yeah. She's red-billed. Yeah. She's fully red-billed. And by the end, she's like, she's, it's so the look of love snapping on and off in her eyes. And he's like, weakness? Ew. I know.

Come on. Oh, yeah. She's red-billed. Yeah. She's fully red-billed. And by the end, she's like, she's, it's so the look of love snapping on and off in her eyes. And he's like, weakness? Ew. I know.

But she wants him to be the, she's like, oh, you murdered someone? Oh, you killed someone? It's very sad. But he gets the girl.

But she wants him to be the, she's like, oh, you murdered someone? Oh, you killed someone? It's very sad. But he gets the girl.

So, Belinda.

So, Belinda.

Let's talk about Belinda.

Let's talk about Belinda.