Luke Caverns

I don't know. I mean, you know, I know that the Egyptians, it's obvious that they have technology that is lost to us today.

I don't know. I mean, you know, I know that the Egyptians, it's obvious that they have technology that is lost to us today.

Yeah, yeah. But I really don't know. As far as the manufacturing aspects, the engineering, the potential usages of these artifacts, it's not really my specialty. These vases are – oh, this is a heavy one –

Yeah, yeah. But I really don't know. As far as the manufacturing aspects, the engineering, the potential usages of these artifacts, it's not really my specialty. These vases are – oh, this is a heavy one –

Yeah, yeah. But I really don't know. As far as the manufacturing aspects, the engineering, the potential usages of these artifacts, it's not really my specialty. These vases are – oh, this is a heavy one –

These vases are fascinating, but I guess my interest would be studying what can we learn about the context around these things and how they existed in their world and how people interacted with them more so than what did these things – what were they actually used for I guess and how exactly were they made? And so I just don't know about Chris Dunn's theory.

These vases are fascinating, but I guess my interest would be studying what can we learn about the context around these things and how they existed in their world and how people interacted with them more so than what did these things – what were they actually used for I guess and how exactly were they made? And so I just don't know about Chris Dunn's theory.

These vases are fascinating, but I guess my interest would be studying what can we learn about the context around these things and how they existed in their world and how people interacted with them more so than what did these things – what were they actually used for I guess and how exactly were they made? And so I just don't know about Chris Dunn's theory.

You know, I guess the first thing that comes to my mind is like, well, you know, most of the pyramid is limestone and the interior is granite. I hear people talk about how like the makeup of the granite could be conductive in some way, but man, it's just, it's like the farthest thing from my set of knowledge. Right.

You know, I guess the first thing that comes to my mind is like, well, you know, most of the pyramid is limestone and the interior is granite. I hear people talk about how like the makeup of the granite could be conductive in some way, but man, it's just, it's like the farthest thing from my set of knowledge. Right.

You know, I guess the first thing that comes to my mind is like, well, you know, most of the pyramid is limestone and the interior is granite. I hear people talk about how like the makeup of the granite could be conductive in some way, but man, it's just, it's like the farthest thing from my set of knowledge. Right.

Yeah, I find that fascinating. I think that the main drama around those scans was, you know, when the scans came out, I don't think anybody was denying what was seen on the scans. I think it was like they had the artistic interpretations of the art concepts that they produced of what they thought was in there. And I think a lot of people were like, whoa, whoa, whoa. Yeah, that was a little weird.

Yeah, I find that fascinating. I think that the main drama around those scans was, you know, when the scans came out, I don't think anybody was denying what was seen on the scans. I think it was like they had the artistic interpretations of the art concepts that they produced of what they thought was in there. And I think a lot of people were like, whoa, whoa, whoa. Yeah, that was a little weird.

Yeah, I find that fascinating. I think that the main drama around those scans was, you know, when the scans came out, I don't think anybody was denying what was seen on the scans. I think it was like they had the artistic interpretations of the art concepts that they produced of what they thought was in there. And I think a lot of people were like, whoa, whoa, whoa. Yeah, that was a little weird.

Because even me, I was a little bit like, huh? When they made a... They made an art concept of it, and they took the king's chamber and the relieving chambers in the Great Pyramid and superimposed it onto the Middle Pyramid. And they, I guess, quintupled it. Like they made five of them. And I was thinking like, why do that?

Because even me, I was a little bit like, huh? When they made a... They made an art concept of it, and they took the king's chamber and the relieving chambers in the Great Pyramid and superimposed it onto the Middle Pyramid. And they, I guess, quintupled it. Like they made five of them. And I was thinking like, why do that?

Because even me, I was a little bit like, huh? When they made a... They made an art concept of it, and they took the king's chamber and the relieving chambers in the Great Pyramid and superimposed it onto the Middle Pyramid. And they, I guess, quintupled it. Like they made five of them. And I was thinking like, why do that?

Like you're kind of undermining what your skin is when you're creating like a fantasy image because – You're getting ahead of yourself. And when he was in there, they tested it all before. So he was able to scan up through the pyramid, and he got the pinnacle of the pyramid, and he got all four corners.

Like you're kind of undermining what your skin is when you're creating like a fantasy image because – You're getting ahead of yourself. And when he was in there, they tested it all before. So he was able to scan up through the pyramid, and he got the pinnacle of the pyramid, and he got all four corners.

Like you're kind of undermining what your skin is when you're creating like a fantasy image because – You're getting ahead of yourself. And when he was in there, they tested it all before. So he was able to scan up through the pyramid, and he got the pinnacle of the pyramid, and he got all four corners.