Nicola Tallent

It's very accurately depicts how he would... Well, it's like...

Yeah.

And even when it comes to, he's talking about the Marino Mart, and you're brought into a place that, you know, Rex as Jerry, as a storyteller, is going through the intricacies of it, the mechanisms of how it happened.

And the next thing he comes back and says, but I wouldn't know because I wasn't there or something like that.

And that's exactly how he would react and answer anything around that.

Yeah.

You know, people sort of demand things that you interview them harder, that you, you know, that you... Well, really, what do people want?

Do they want, like...

What do you get from somebody if you just stand there shouting at them, repeating questions over and over again?

Well, I mean, you get a reaction.

You get a reaction, which we've seen a few times from the real Gerry Hutch, which can be angry.

No doubt about it.

It's become controversial when... So I was at the original run of this play and it did get a bit of publicity.

I can't remember exactly how much, but certainly not a huge amount.

The play has slightly changed.

Firstly, the presence of Gerry Hutch on the stage at the beginning of it, which we'll get to, wasn't anywhere...

near the first one.

The first one was in the Glass Mask Theatre, which is a bespoke little theatre in Dublin, holds about 120, I think maximum, maybe 80 people.

It was an amazing venue to see the show in.

And it wasn't, the set wasn't as, you know, it's small.