Roxie Nafousi

I'm like, that's so good.

Yeah.

It's fascinating to hear that the first step is no one's really thinking about you.

And the second is you have no idea what they are thinking about you.

Yeah.

Brilliant.

And it reminded me, I remember when I was at university, we were learning a case study about the acrobatics and performance company Cirque du Soleil.

Yeah.

So for anyone who's seen Cirque, it's this crazy, like jumping through fire, hoops, dancing, acrobatics, like spinning around on a, you know, something suspended from the air.

Like it's unbelievable.

Yeah.

And they would go and travel across the world and they'd have acrobats from all over the world.

Whenever they'd perform in America, when they'd do a triple flip and fall through a hoop of fire and land on their feet, the audience would go ballistic.

Like they would be like cheering and like, you know, just like full on, just like pandemonium, right?

The audience would go crazy.

And then when they'd go to Asia, the audience would just do a small tap

in their hands.

And so this person just like literally jumped through three hoops of fire, triple backflip, like done the most crazy thing.

And they get this small tap.

And they found that their acrobats would get really, like you were saying in your own, they would get really self-conscious and think they did a bad job.