Steve Keim
speaker
81 appearances
1 recordings
1 series
first heard Apr 2026
last heard 21 Apr
Steve Keim’s voice in public audio — every appearance, attributed to the second.
Trend
recordings per month · last 12 monthsRecordings per month over the last 12 months — 1 in all, peaking in Apr 2026 with 1.
Appearances
Yet at the same time, needs come and go.
In May and August and September, your needs are constantly changing.
So you've got to take the best player available.
A guy like Caleb Downs, in my opinion, is the best, safest player in the draft.
I played with his dad at NC State.
He's a tremendous, tremendous talent.
And not only that, he's cerebral.
He's a tremendous playmaker.
So guys like that to me are guys that are an unusual position, but you take.
But then also, like you just said, you want to be able to surround yourself with players.
protection for your quarterback and obviously he is their franchise quarterback right now so whether it's a playmaker at a wide receiver position or it's an interior offensive lineman which isn't sexy they obviously will will make the best decision possible okay david bailey i watched them at stanford and i watched them at texas tech he's a pure pass rusher um he got better every time i watched him but he doesn't have the ceiling of arvel reese
I'll be honest with you.
I would take I would take the Texas Tech kid.
Here's why.
He is the best pass rusher in this NFL draft, in my opinion.
OK, and now when you go to Arvore Reese, he's a guy who is a little bit like Hassan Reddick coming out of Temple.
saw reddick played stack linebacker he he rushed the passer sometimes those guys can get lost in the mix as explosive as he is and as talented as he is there are guys like that that sometimes they get out of position and now all of a sudden you got a guy who can what comes first the chicken or the egg they always said you want a pass rusher or a corner listen the pass rusher gets there first and they obviously make the corners day a better day yeah um
Two stories.
Number one, last year, I sat in John Schneider's suite at the Combine, and it was sort of that mentality of, do we pay Geno Smith $39 million a year, or do we sort of move on?
And it was great, you know, after a few cocktails, and by the end of the night, Colin, you can imagine, it really sort of turned into a, it's time to move on sort of situation.
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