Wade

Apple just announced this whole new line of things.

One of them, which is a new display, which is very expensive.

And I'm not saying I recommend it, but I will say this.

There were certain moments in the movie where you need ADR.

ADR stands for... Oh, sure, sure.

Yeah, it's where you record a line that wasn't captured on set either because it wasn't captured well or you're trying to replace a dialogue or sneak something in, right?

So there's a couple of moments where it is.

And the trouble with ADR is that it stands out if it's not done well, right?

Usually in the circumstances I'm working with Brad the sound guy and he's got a good microphone we're in a good sound environment and I've done it on my own during the edit where I've like I've got I've got access to good microphones I've got good sound environments I know how to do that and I know how to record so I've done ADR through a couple times throughout the movie where I've done it with like.

this condenser mic, which is, you know, it didn't work because, you know, we didn't have this type of mic on set.

So clearly that isn't right.

So I got the exact shotgun microphone and lav that we had on set, and I tried that.

And it still wasn't quite a perfect match, but, you know, Brad was able to massage it a bit better.

And then I got a really high-end, like, shotgun mic that was a stereo mic.

And I'm like, okay, let's try something else here, funky.

And it didn't get well.

Well, I got to tell you.

On one of the final passes of the edit, I recorded some temp stuff because I was like, I'm not even going to worry about it.

I'm not even going to try to make this match.

I'm not going to set up my big microphone.