BONUS : Gluck, compositeur protégé de Marie-Antoinette

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Les grands dossiers de l'Histoire par Franck Ferrand 1 min 1 speaker 4 chapters transcribed 11 hours ago
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What is the historical background of the Gluck‑Piccini rivalry in 18th‑century France?

Franck Ferrand 0:03
Les grands dossiers de l'histoire, avec Franck Ferrand, le bonus. Un podcast de Radio Classique. 25 ans af that querelle entre the gluckists who are rangés derrière la dauphine devenue reine, Marie-Antoinette, and the Pitchinistes who are plutôt du côté de Madame Dubary. Madame Dubary would ced a place, parce que evident at partir du 10 mai they have her place, it had 25 ans, the célèbre querelle des Bouffons, who had opposed Rameau.

How did the 25‑year “Querelle des Bouffons” shape the competition between Gluck’s and Piccini’s Iphigénie?

Franck Ferrand 0:42
The two compositors have affronted on the same day after the creation triomphale d'Iphigénie in Olide. Gluck and Piccini have composed chacun a partition on the sujet of Iphigénie in Taurid, a bit like Racine and Corneille. se disputant sur le thème de Tite et Bérénice, rappelez-vous, hein ? The œuvre de Gluck is donné for the prime time the 18 May 1779.

Why was the 18 May 1779 performance a decisive victory for the Gluckists?

Franck Ferrand 1:09
It's a triomph, it's the success of the carrier of compositor. It's a victory decisive for the Gluckists. A victory enterin' by the posterity, because if the Aleman and the Italian have chacun some name to an rue of Paris, Gluck, may we, in the 8th arrondissement, and Rue Piccini, we connect more than the 16th. The opera of Glucke are too much actually in all the festivals, on all the grand scenes international.

What lasting impact did Gluck’s operas have on Parisian streets and modern festival repertoires?

Franck Ferrand 1:38
It will be difficult for you to eat an opera of Piccini.
Franck Ferrand 1:51
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