Harry Hill

I never felt like we did a really, really bad one when we came pretty close, you know.

And so I just felt, oh, yeah, we never actually got around to doing a really bad one.

You know, we started repeating ourselves and every clip, if someone threw a ball at the camera, it would come back and hit me with a ball.

You know, you could see it coming a mile off.

But...

You know, we had to fill a show.

Well, they were all really good, but... Yeah, I wouldn't like to single anyone out, but there were four of them.

And, you know...

The good thing about it was that they were really tough on me and I was really tough on them.

So they would never let me get away with something a bit, you know, not great.

You know, they would really have a go at me if I wrote something in the script that they thought was a bit lazy.

That was tough, but it was good.

And the producer was similar.

But at the same time, they would let me, if they thought, you know,

if I was convinced there was something in it.

You know, I remember that thing about, we used to do this, I can't remember where it came from, but it was a jelly.

And it would be cut to the jelly, and it would be... And it would be cut to this jelly, wobbling, I can't remember why.

And obviously, written in the script, that doesn't mean as much.

Cut to jelly.

It affects wipeout.